Connected Study 64

Tavar Zawacki Connected Study 64, 2026 original acrylic painting on canvas from the Connected series
Connected Study 64 — Original Artwork — Acrylic on Canvas, 2026.
Tavar Zawacki Connected Study 64, detail view of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 64, detail image of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 64, close-up detail of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study signature, number, and date on the reverse of the original canvas artwork
Every canvas is signed, numbered and dated on the reverse.

Technical Specs:

Artwork: Original acrylic painting on canvas, 2026.

Dimensions: Canvas size: 43 × 33 cm / approx. 17 × 13 in.

Materials: Acrylic paint on 430 gsm double-primed cotton canvas.

Signature: Signed, dated, and numbered on the reverse.

Framing: Artwork is sold and shipped unframed.

Each painting is shown photographed with a white mat / passe-partout inside a 40 × 50 cm frame / approx. 16 × 20 in.

The recommended mat opening is 30 × 40 cm / approx. 12 × 16 in, creating a generous white border around the work, as shown in the presentation photos.

Tavar Zawacki Connected Study 63 and Connected Study 64 shown together as a connected diptych from the Connected series
Connected Studies 63 and 64 as a connected diptych.
Each work stands on its own; together, they become one continuous movement.
Connected Study 64 by Tavar Zawacki, right panel of a rich blue, dark blue, orange, and white abstract acrylic diptych, shown in a white frame.

Connected Study 64 — Tavar Zawacki


Regular price€800,00
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Collector Limit Maximum 6 Connected Studies per collector.

Connected Study 64 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring rich blue, dark blue, orange, white, and layered translucent movement.

This new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.

Each Connected Study is a complete work on its own, yet Study 64 also forms the right panel of a natural diptych with Connected Study 63. Together, the two works create a tightly held composition built from a minimal palette, where rich blue and orange are separated and activated by a white underlayer.

In Study 64, the structure feels compressed and precise. The diagonal division creates a strong sense of tension, while the white passage sharpens the relationship between the warm orange veil below and the darker blue field above. The result is a restrained but highly charged painting, where surface, balance, and directional movement remain in active dialogue.

Each work is sold individually. All works are sold unframed. Framed images are shown for presentation only.

Suggested Pairings

These works pair with the current painting and can be collected individually or together.


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