Connected Study 66

Tavar Zawacki Connected Study 66, 2026 original acrylic painting on canvas from the Connected series
Connected Study 66 — Original Artwork — Acrylic on Canvas, 2026.
Tavar Zawacki Connected Study 66, detail image of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 66, close-up detail of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 66, detail view of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study signature, number, and date on the reverse of the original canvas artwork
Every canvas is signed, numbered and dated on the reverse.

Technical Specs:

Artwork: Original acrylic painting on canvas, 2026.

Dimensions: Canvas size: 43 × 33 cm / approx. 17 × 13 in.

Materials: Acrylic paint on 430 gsm double-primed cotton canvas.

Signature: Signed, dated, and numbered on the reverse.

Framing: Artwork is sold and shipped unframed.

Each painting is shown photographed with a white mat / passe-partout inside a 40 × 50 cm frame / approx. 16 × 20 in.

The recommended mat opening is 30 × 40 cm / approx. 12 × 16 in, creating a generous white border around the work, as shown in the presentation photos.

Tavar Zawacki Connected Study 65 and Connected Study 66 shown together as a connected diptych from the Connected series
Connected Studies 65 and 66 as a connected diptych.
Each work stands on its own; together, they become one continuous movement.
Connected Study 66 by Tavar Zawacki, right panel of a red, grey, and white abstract acrylic diptych, shown in a white frame.

Connected Study 66 — Tavar Zawacki


Regular price€800,00
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Collector Limit Maximum 6 Connected Studies per collector.

Connected Study 66 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring red, grey, white, and layered translucent movement.

This new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.

Each Connected Study is a complete work on its own, yet Study 66 also forms the right panel of a natural diptych with Connected Study 65. Together, the two works create a tightly resolved pairing, where a white underlayer moves beneath red and grey veils, producing subtle shifts in tone and structure.

In Study 66, the layering of red over grey creates moments where the red deepens toward burgundy, giving the painting a richer tonal register. The uniform flow of the grey and red arcs is balanced by built-up tension across the surface, allowing the painting to feel both controlled and quietly charged.

Each work is sold individually. All works are sold unframed. Framed images are shown for presentation only.

Suggested Pairings

These works pair with the current painting and can be collected individually or together.


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