Connected Study 59

Tavar Zawacki Connected Study 59, 2026 original acrylic painting on canvas from the Connected series
Connected Study 59 — Original Artwork — Acrylic on Canvas, 2026.
Tavar Zawacki Connected Study 59, detail view of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 59, detail image of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 59, close-up detail of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study signature, number, and date on the reverse of the original canvas artwork
Every canvas is signed, numbered and dated on the reverse.

Technical Specs:

Artwork: Original acrylic painting on canvas, 2026.

Dimensions: Canvas size: 43 × 33 cm / approx. 17 × 13 in.

Materials: Acrylic paint on 430 gsm double-primed cotton canvas.

Signature: Signed, dated, and numbered on the reverse.

Framing: Artwork is sold and shipped unframed.

Each painting is shown photographed with a white mat / passe-partout inside a 40 × 50 cm frame / approx. 16 × 20 in.

The recommended mat opening is 30 × 40 cm / approx. 12 × 16 in, creating a generous white border around the work, as shown in the presentation photos.

Tavar Zawacki Connected Study 59 and Connected Study 60 shown together as a connected diptych from the Connected series
Connected Studies 59 and 60 as a connected diptych.
Each work stands on its own; together, they become one continuous movement.
Connected Study 59 — Tavar Zawacki

Connected Study 59 — Tavar Zawacki


Regular price€800,00
/
Tax included. Shipping calculated at checkout.
  • Free worldwide shipping
Collector Limit Maximum 6 Connected Studies per collector.

Connected Study 59 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring red, blue, white, deep violet, and layered translucent movement.

This new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.

Each Connected Study is a complete work on its own, yet Study 59 also forms the left panel of a natural diptych with Connected Study 60. Together, the two works create a strong layered composition where red and blue color veils are interrupted by a white underlayer, exposing rough textures, pressure marks, and moments of connection between the fields.

The lower section introduces a deep violet veil, created through the overlap and tension of the surrounding colors. This gives the work a grounded intensity, while the white passage cuts through the composition like a charged space between movement and pause.

Each work is sold individually. All works are sold unframed. Framed images are shown for presentation only.

Suggested Pairings

These works pair with the current painting and can be collected individually or together.


Recently viewed