Connected Study 57

Tavar Zawacki Connected Study 57, 2026 original acrylic painting on canvas from the Connected series
Connected Study 57 — Original Artwork — Acrylic on Canvas, 2026.
Tavar Zawacki Connected Study 57, detail view of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 57, close-up detail of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study 57, detail image of a 2026 original acrylic painting on canvas from the Connected series
Tavar Zawacki Connected Study signature, number, and date on the reverse of the original canvas artwork
Every canvas is signed, numbered and dated on the reverse.

Technical Specs:

Artwork: Original acrylic painting on canvas, 2026.

Dimensions: Canvas size: 43 × 33 cm / approx. 17 × 13 in.

Materials: Acrylic paint on 430 gsm double-primed cotton canvas.

Signature: Signed, dated, and numbered on the reverse.

Framing: Artwork is sold and shipped unframed.

Each painting is shown photographed with a white mat / passe-partout inside a 40 × 50 cm frame / approx. 16 × 20 in.

The recommended mat opening is 30 × 40 cm / approx. 12 × 16 in, creating a generous white border around the work, as shown in the presentation photos.

Tavar Zawacki Connected Study 57 and Connected Study 58 shown together as a connected diptych from the Connected series
Connected Studies 57 and 58 as a connected diptych.
Each work stands on its own; together, they become one continuous movement.
Connected Study 57 by Tavar Zawacki, left panel of a saturated orange, red, and blue abstract acrylic diptych, shown in a white frame.

Connected Study 57 — Tavar Zawacki


Regular price€800,00
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Collector Limit Maximum 6 Connected Studies per collector.

Connected Study 57 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring orange, red, and blue, and layered translucent movement.

This new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.

Each Connected Study is a complete work on its own, yet Study 57 also forms the left panel of a natural diptych with Connected Study 58. Together, the two works create one of the most expressive pairings in the collection: a dense field of overlapping color veils, stuttered interruptions, and shifting passages where warm orange and red collide with cooler blues.

Unlike quieter works in the series, Study 57 pushes the surface toward full saturation. The canvas is entirely activated by color, allowing the layered veils and process marks to become the dominant structure of the painting.

Each work is sold individually. All works are sold unframed. Framed images are shown for presentation only.

Suggested Pairings

These works pair with the current painting and can be collected individually or together.


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