{"title":"Connected Studies 51–66","description":"","products":[{"product_id":"connected-study-52-tavar-zawacki","title":"Connected Study 52 — Tavar Zawacki","description":"\u003cp\u003eConnected Study 52 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring orange, red, warm yellow, and layered translucent movement.\u003c\/p\u003e\n\u003cp\u003eThis new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.\u003c\/p\u003e\n\u003cp\u003eEach Connected Study is a complete work on its own, yet Study 52 also forms the right panel of a natural diptych with Connected Study 51. Together, the two works continue the rhythm of the series while allowing each painting to stand independently.\u003c\/p\u003e\n\u003cp\u003eEach work is sold individually. All works are sold unframed. Framed images are shown for presentation only.\u003c\/p\u003e","brand":"TAVAR ZAWACKI","offers":[{"title":"Connected Study 52","offer_id":57634804760920,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0859\/1848\/2776\/files\/tavar-zawacki-connected-study-52-orange-red-original-acrylic-painting-framed-right-diptych.jpg?v=1783166972"},{"product_id":"connected-study-65-tavar-zawacki","title":"Connected Study 65 — Tavar Zawacki","description":"\u003cp\u003eConnected Study 65 is an original acrylic painting by Tavar Zawacki from the Connected series, featuring red, grey, white, and layered translucent movement.\u003c\/p\u003e\n\u003cp\u003eThis new chapter of the series introduces a sharper visual language: stuttered pulls, restrained color, and increased tension between overlapping veils. The process has been reduced to only three to four primary pulls, often working within a focused palette of two to three colors. What remains is direct and essential — line, form, pressure, and the visible evidence of movement.\u003c\/p\u003e\n\u003cp\u003eEach Connected Study is a complete work on its own, yet Study 65 also forms the left panel of a natural diptych with Connected Study 66. Together, the two works create a tightly resolved pairing, where a white underlayer moves beneath red and grey veils, producing subtle shifts in tone and structure.\u003c\/p\u003e\n\u003cp\u003eIn Study 65, the layering of red over grey creates moments where the red deepens toward burgundy, giving the painting a richer tonal register. The uniform flow of the grey and red arcs is balanced by built-up tension across the surface, allowing the painting to feel both controlled and quietly charged.\u003c\/p\u003e\n\u003cp\u003eEach work is sold individually. All works are sold unframed. 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What remains is direct and essential — line, form, pressure, and the visible evidence of movement.\u003c\/p\u003e\n\u003cp\u003eEach Connected Study is a complete work on its own, yet Study 66 also forms the right panel of a natural diptych with Connected Study 65. Together, the two works create a tightly resolved pairing, where a white underlayer moves beneath red and grey veils, producing subtle shifts in tone and structure.\u003c\/p\u003e\n\u003cp\u003eIn Study 66, the layering of red over grey creates moments where the red deepens toward burgundy, giving the painting a richer tonal register. The uniform flow of the grey and red arcs is balanced by built-up tension across the surface, allowing the painting to feel both controlled and quietly charged.\u003c\/p\u003e\n\u003cp\u003eEach work is sold individually. All works are sold unframed. 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